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Max Buri Brienzersee-Landschaft oil painting


Brienzersee-Landschaft
Painting ID::  50146
Max Buri
Brienzersee-Landschaft
mk208 um1907

   
   
     

Max Buri Brienzersee-Landschaft oil painting


Brienzersee-Landschaft
Painting ID::  50147
Max Buri
Brienzersee-Landschaft
mk208 um 1907

   
   
     

Max Buri Apfelstilleben oil painting


Apfelstilleben
Painting ID::  50148
Max Buri
Apfelstilleben
mk208 um 1909

   
   
     

Max Buri Stilleben mit Apfeln und Birne oil painting


Stilleben mit Apfeln und Birne
Painting ID::  50149
Max Buri
Stilleben mit Apfeln und Birne
mk208 um 1910

   
   
     

Max Buri Apfel oil painting


Apfel
Painting ID::  50150
Max Buri
Apfel
mk208 um 1911

   
   
     

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     Max Buri
     1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.

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     | Gonzales Coques | Peale, Sarah Miriam | Harpignies Henri Joseph |


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